*Music from Star Wars*
Credits roll:
THE PHANTOM OF THE OPERA
EPISODE II: LOVE NEVER DIES
It is a time of revolution. And by revolution I actually mean basically the same conflicts as the first one, only Christine chooses the opposite man. But you don't know that yet, so don't let me give it away. Basically, The Phantom is now living at Coney Island, Christine and Raoul are married and Christine has a son (non-commital statement), Raoul is a drunk gambler, Meg and Madame Giry are with the Phantom in America, and every other character seems to have disapeared randomly. The remaining characters are now depressed in their current lives, and are sadly trying to forget their past, which is absolutely not coming back to haunt them. Or so they thought . . .
EPISODE II: LOVE NEVER DIES
It is a time of revolution. And by revolution I actually mean basically the same conflicts as the first one, only Christine chooses the opposite man. But you don't know that yet, so don't let me give it away. Basically, The Phantom is now living at Coney Island, Christine and Raoul are married and Christine has a son (non-commital statement), Raoul is a drunk gambler, Meg and Madame Giry are with the Phantom in America, and every other character seems to have disapeared randomly. The remaining characters are now depressed in their current lives, and are sadly trying to forget their past, which is absolutely not coming back to haunt them. Or so they thought . . .
Seagulls are cawing. It is now the past, but the future to the other past and possibly further in time than the future of the last show's past . . . phew. Coney island is a ruined place . . . abandonned by all.
A woman, old and possibly russian or french or something is somehow here.
WOMAN (They actually call her this in the libretto in the album. ): Wow, geez this place is a dump. Talk about your fixer-upper. Hey, wait! Didn't I work here in the past to this present which is atually the future to the-oh whatever!
Fleck: hehehe.
Woman: What the hell is so funny?
Fleck: Armadillo!
Woman: . . . okay . . . Hey you look familiar, do I know you?
Fleck: Oh, so I've been forgotten so soon? After, like, ten years of working together?
Woman: Yeah, oh wait, you're Fleck, right? God, you look exactly the same as when-
Fleck: Well of course I'm Fleck! Can't you see my name right before I speak? And why are you called "Woman"?
Mme Giry: Is that better?
Fleck: I'm wearing a hat.
Mme Giry: . . . *sigh*
Fleck: I don't like you.
Mme Giry: Hey, what happened to the other two freaaaa-*fleck gives a warning glance*-I mean . . . stage . . . performers. What were their names again? Squish an Google?
Fleck: Squelch and Gangle.
Mme Giry: Oh, yeah.
Fleck: Why did you come back here anyways?
Mme Giry: I think we should go into a flashback-montage now.
Fleck: But that doesn't answer my-
*flashback montage*
Coney Island is at it's heyday. Ther are ferris wheels, horses, elephants, sparkling gay vampires. Actually forget that last one.
Fleck: GIRY!
Mme Giry: Hey! I was having a montage-flashback!
Fleck: Nobody cares about your Twitarded sex fantasy! Oh, by the way everything bad that ever happened is your fault.
Mme Giry: What?! Where did that come from? The way I remember it . . . *wavy remembering screen*
Part 2 coming soon.